Run. Climb.
Matthew Hull
Genre: Cyberpunk
Harsh chill in the air, deathly if you’re the sort with metal in your flesh. Forst is one such person. They have to wonder why the manufacturers were so detailed with the sensations. That they modelled how cold a metal arm should feel, like it was always your arm and pushed reproduced signal through fibreglass nerves and copper-like TM tendons. It wasn’t a spook-sense, those had been factored out decades ago, inefficient mental energy and ill-condition, easy deletion through prefrontal alterations. Back then they still had the money to get the fresh tech. Back when sky-born dreams still seemed attainable. When the debt didn’t feel like debt.
Their arm tenses up beneath a threadbare coat, a reminder that they
need new clothes. That’s the whole idea, they muse, letting themselves
meander with cold and lonely purpose into a cold and lonely alleyway.
Same company behind both the implants and the outfits, under the ever
ambiguous label of “social and functional equipment.” Maybe even a new
delineation when they need to dodge the folks who still manage to care.
Ever shifting paper tendrils branch off into different names and
different styles; fundamentally the same. Therein lay the model: jack up
the power on the mods so everyone needs one to get an edge in life; the
mods feel the world more viscerally than flesh; so everyone buys clothes
to feel comfortable; but the clothes fall apart and the mods fall apart
and everyone needs more and more to keep grasping at the top. They were
caught in it, one of the band of new-school junkies itching for that
Success fix. No getting off the treadmill. Gotta run til you drop, climb
til you fall.
And there are many dealers on the street, all various colours and
styles and looks, a melded conglomeration designed just different enough
to be the same. If they could pop off the external plates they’d find the
same makers mark in each of them. Steel, fabric, flesh all marked with
the same fleeting sigils. An unknown cry from a soul who could have no
other impact on the world. Who would not carve their name into the sands
of history and so had to carve it into the soon discarded detritus
accumulating unseen at the edge of the great unliving organism called
home TM . Even if it piled high enough to be noticed you wouldn’t see their
mark in the masses.
Cold chuckle turns to a wheezing cough in their throat. Hits the air
modulated into quivering vibrato by the thick filter mask clipped to
their face. A strained death knell, first chime of the end. Filter’s
corroded, needs to be changed. But supply’s run low round here, and
they’ve run low on credit. Just what they need, another problem to put
off and ignore until it can't be handled. Another kick to the teeth. Run
til you drop, climb til you fall.
There’s a body lying beside them. Ashen grey face turned up to the
sky, mouth agape, still letting out a silent awe-filled scream. It’s nice
to imagine that they were trying to see the stars, but they probably
didn’t know what those were. No, this one was watching life fade away.
Watching their last dreams of glitz and glamour afforded to those blank
smiling people in the high towers above them drift up and up and away.
People who danced wild and mad in a cage wide enough and gilded enough to
feel like freedom. Who desperately wanted everyone else to know that they
were there. Another attempt to make a mark. No one ever remembered a
face.
Forst drops to a knee and checks the mans pockets. Barely any point
doing so, their implants had already been stripped bare. Most removed fully.
Stripped to flesh and bone by scrap vultures. An empty biomass
wasn’t useful to most of them, nor to Forst for that matter. But maybe
they could find a buyer, a flesh-cult loon in a high castle of concrete
and silt who’d take a few spare organs or a lump of skin.
they don’t have the time for that. They don’t have time for anything.
Seconds tick away to oblivion, or worse, ruin. They look to the tower
ahead, rising above the piercing grey smog hellfire ceiling. Strikes
through into high glittering heavens. Run, climb.
Pulls themselves up the jittery handholds of window frames. Grip tight
enough to leave a mark in the concrete. Metal doesn’t leave a
fingerprint. No one would care to check. No one will care to know. Feels
the arm seize as they hang off a gutter. Can’t move, has to hit it hard
to keep it shifting. They hear something shatter in there. Still moves
fine, probably nothing. It’s silent until they reach the smoke blanket.
Sing-song mask melodics sound out, coughing hard as soon as they enter.
Almost beautiful. Their lungs are burning. Flesh arm’s getting weaker.
Vibrates in rhythmic dance to their coughs. Nearly slips off a panel edge
cause they can’t stop shaking. Pulls themselves up with the metal arm.
Feet flutter in place, barely able to walk. Collapses on a thin flat roof
segment, still not at the top. Shaking, sputtering, gasping, screaming.
Has to be nearly there, the edge of the grey. Close to light and fresh
air.
No time for pain, no time for this. Nearly at the top. No time to
rest. Climbs higher, pushing up with their metal arm only. No time to
give. Wheezing, sputtering, fading. Leaps up layer on layer. Bounding
wild and fast and desperate in animal leaps. Give no time. Something
buckles. Still no end. Something snaps. They see the light. Arm won’t
move, fingers break, fingers snap. Run til you fall, climb til you drop.
Spins through the air. Wings on their back. Mask falls. Dreaming
sweet. Wide smile bliss. Lost, happy, free. Doesn’t feel a thing.
They hit the ground. No one hears. Did they even fall?
Poetry by Sam Edwards
The Eye
Trigger warnings: self harm
Beauty is in the Eye of the Beholder
A shining light in the darkest of all nights
Eyes see Beauty in all the littlest things,
Clouds above, songs abound, rot surrounds.
And in each other, in themselves, for their health
The mirror shows. Yet all we see is broken glass.
Fragments of disfigured flesh show unsightly.
body wrong, the face misshaped, wrong to be.
We slice ourselves open, showing evil rot
And foolish deeds, spilling like black, inky blot.
Stains they spread across us all and make us cruel,
To ourselves, to each other, our eyes fooled.
Frantically we search for mirror, so pupil
Can meet pupil to learn lessons, how to love.
Beauty is in the eye of the Beholder.
We can never see our self, so Beauty hides,
Sat within the Eyes of others, so we find
Ourselves, worth staying, worth living. Yet helpless
We stay.
Beauty is in the Eye of the Beholder.
We are slave to it, it’s rhythm and metre
So I say to tear the Eye from the socket.
In blood and flesh is beauty
Not in vicious, vitreous viscosity.
In thought and in word is life
Not in greedy consumption through empty sclera
So, I reject you, my Beholder.
Even though you are only My reflection,
Even though you are only My thought and tongue
I reject Your senseless words.
I cannot know My Eyes
But I can know My Mind.
And so I do declare:
Beauty lies in Me.
The Death, The Fear, The Life
Trigger warnings: death and similar themes, suicide reference
Death is the final bow of all that sings.
Entropy. Order. The path of endings.
It is what sits waiting for us to rot.
To be erased like page with blackest blot.
Fear strikes us from Death’s merciless approach.
Bodies tell us to run, to hide, to fight,
To wail and scream against the dying light.
See, Fear is Life. It saves without reproach
I have not known Fear, but I have known Death.
All who know Death must fear its softest breath.
But I do not. For how can i fear it,
my oldest friend, who keeps a candle lit
Waiting at my home. Sat down upon my
Shoulder, in my ear, a gentle caress
As I watch others soar and fly up high
I feel Death’s unending heavy hands press.
It is a slow Death. An anxious lover.
Always checking, always shall it hover
Till you find the slow rot of your deathbed
Becomes where you desire to rest your head.
I don’t know how to fear Death. For Fear
strikes me not to die, but to live and hear.
To stand and speak, and say I am here.
I want to hear it play and feel the tears.
Hear the world’s song and hear its voice proclaim
To the sky and the listening a name.
Not the name dead nor the one I have chose
But my name. A name sweeter than a rose.
A name thornier than the tallest hedge.
A name like that is the loosest of ledge.
You cling, you bleed for you know Life is here.
For once you live, you learn the name of Fear.
But, are fears not sat around and abound?
Do I not know Death’s subtle, easy flow.
A fear of Life, a fear of stable ground
And the comfort of the tarmac below.
If Fear shall bind and chain me either way
Then Death’s embrace is not for me today.
Someday, when i am old and reach my end,
I shall turn to the oldest of my friends.
They smile soft and turn out my silent light,
They lay me down in bed. No more I fight.
I rest my head, tired of Life afraid.
But all the same, it was a life I made.
And none can take any of that away.
To hell with the oroborous
The Oroborous, eternal circle,
Biting itself, deviation futile.
It's not in pain, not in grief nor in fear.
It eats and bites and never sheds a tear.
For though it bleeds and tears, it understands
This life it lives is the best of it's hands
Ease in pain and ease in calm.
Ease in death and ease as balm.
The Oroborous, who will never die
For it will never live. It knows its life
Is cold. It knows its life is not its own.
The Oroborous circles. Never a
Sound.
The rhythm breaks. The Snake lets go.
It's wounds feel the air and begin to flow.
As do its tears, held back for so long.
It unfurls and moves from it's pattern.
It hurts in a way The Snake has forgotten.
The pain of living. The pain of choice.
The dicomfort of having a voice.
But the snake can see beyond it's tail now
And knows it's apathy was wrong.
Life can be no circle. Life can be no Neat
Thing tidied up in iambs ad AABBCC.
It is something to be held, to be cradled,
To be broken and to be seen.
It is messy. It is wrong. It is discomfort in all
The ways we never want. But to fall
We must first leap. And when we leap
We may fly.
So to hell with The Oroborous.
The tail is no longer appetizing.
Icarus calls, and I wish to fly.
No longer will I live a lie.
Poetry by Matthew Hull
Twilit
Cascading twilight sky
Torn asunder. Ripped open
Like old wrapping paper
The sky bleeds.
Lightning strike and rainfall, broken and busted.
Left scattered like aging dust on
Deadstones. Grey gone twilit and
Kept to itself. Lightless sight from visionaries with
Empty vision. Mindless melancholy
Breaking down to endless pieces,
Shattered glass blowing in
The warm wind to warm screams.
Mind-thought, no-thought,
No word. Tongue-tied
When with others, lost.
The deep blue twilight drips
From fracturing wounds.
Refracted through frustration.
Deep grey twilight swallows
the noise making way for us all
As we dance our empty motions;
In a tango with ethereal partners,
Leaving too much distance.
Losing ourselves in the near-void silence.
Stitched up sutras, mangled
Fools left to dance on sunlight
Strings.
I guess I did deserve that
Huh? Left in limbo between
Myself and me. Deep white
Twilight never-ending, lost
Beneath the cracks.
Finding my faceless fellows in brutal darkness.
All of us listen to the silence.
Let it lull us with its song
Steps
The snake writhes
between the masonry.
Burrows in between
Cracks in sand.
Fallen apart Impact shattered Places Break Down Steps progress down to pandemonium Black spiral staircase Turn back dreamwalker The world is not safe for you Dante burns Ascendent pain Descendent ice flows Bitter fruit of the summer Falls into place. Autumnal breezes the crisp Cool knife-sharp air. Alone standing collapsing Falling Crumbling Decaying Bitter flecks, the phlegm Of uncaring leaders And things beyond control The unknowable seen, Believed, left to seed
Gods visage glimpsed
As the cracks
Show in the sunlight.
Chaos wizards working
Wild magicks.
grafitti signals to
Spur the violet dawn.
Crumbling gravestones shattered by serpent coils
Writhing between the bones and the stars